Art Spectrum Australian landscape oil colours

Art Spectrum, an Australian oil paint manufacturer have a range of 13 different oil colours that they developed with inspiration from the Australian landscape. I have used their colour Australian Red Gold for years and it is one of my absolute favourites. It is an amazing glazing colour that goes from deep red when laid on thickly to an amazing warm yellow as it is spread out thinly into a glaze. I use it as my main yellow and orange in most of my paintings and you can build amazing vibrancy when building it up in multiple layers.

I recently had a look at their page dedicated to all their Australian colours and it looks like they have an amazing range. I am particularly excited about Flinders Red Violet and Australian Green Gold. They all seem to be particularly well suited to landscape painting and aren’t too bright and dominant like the pure cadmiums.

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Smooth canvas for solvent free oil painting

One important thing to think about when painting solvent free is the texture of your canvas or support. Without solvents the paint is thicker and doesn’t apply as smoothly. More rough texture causes more drag on the brush making the paint harder to apply smoothly. This can be to your advantage if you want lots of texture and aren’t too concerned about smoothly blended paint. However if you want the paint to apply as smoothly and blend as easily as possible it is best to have a nice smooth surface.

Linen is renowned for allowing the brush to ‘glide’ over the surface whereas cotton canvas is bit rougher and stickier. Painting on panel or board is the smoothest you can get and the paint blends and applies incredibly easily and smoothly. You can usually only go so big with panels though so if you want to paint on cotton canvas it’s best to try and find the smoothest canvas you can get. Canvas comes in many different textures and thicknesses and it is sometimes quite hard to tell what the texture is like without feeling it in person.

I have read that the Old Masters used to spend months getting their canvases ready for painting. They too liked the canvas to be incredibly smooth and the lead white oil grounds they used took quite a long time to dry. They used to sandpaper between each layer of ground to build an incredibly smooth surface.

When I’ve stretched my own canvas I always do the same process, making sure each layer is nice and smooth before apply the next layer of gesso. When buying canvases pre-stretched I don’t know how much effort they put into smoothing out each layer of gesso. It always seems a little too rough to me. Because of this I sand the canvas lightly with a fine sandpaper before commencing painting.

Along with my techniques on glazing without solvents I have found that this really helps smooth out the paint and brush strokes in solvent free oil painting.

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Water mixable oil paint permanence

I have been experimenting with Water Mixable Oils again recently, mostly just for underpaintings to build up some quick washes. One of the things I’ve heard people saying about water miscible oils is that they are not tried and tested over time for permanence and durability. While reading the Winsor and Newton website about their Artisan Water Mixable Range I came across this article:

Artisan Water Mixable Oil colour is a relatively new medium in terms of art materials, however, colours containing oil and water are not new and have in fact existed since prehistoric times. For example, egg tempera is an oil in water emulsion, which has been used by artists for over 600 years.

During the development process, Artisan colours were tested for many properties that would be indicative of its durability such as adhesion, flexibility, drying, film hardness, and water resistance, as well as application properties such as mixability with water, flow, texture retention and wetting. In addition, the full range of colours were painted out on canvas directly from the tube and with mediums and/or water at different thicknesses and have been observed and tested at regular intervals since.

All results from this development stage have confirmed that Artisan does indeed act in the same way as a conventional oil colour.

I found the bit about egg tempera emulsions being used for centuries really interesting and had never thought of that before. There is quite often lots of paranoia in the art painting world about permanence and always using the old painting methods and mediums instead of new modern technology such as alkyd or water mixable oils. It’s nice to see Winsor and Newton fully testing and explaining how they are doing so. This makes it more reassuring to use their products.

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India.. and finally back again!

Well, it may have looked like I died on that Himalayas trek about 3 years ago but in fact I did not! I had an amazing time in India and travelling around Europe afterward. I then spent a year or so outside New York city in the Catskill mountains where I had a studio and continued painting as well as working as a chef. I then commenced my journey back to Australia through Europe (Greece, Turkey, Italy, France and the UK) and then back through India again and finally Thailand.

I have updated my website and posted my latest paintings as well as lots of photographs from my trip. I’m also putting my latest paintings and photographs up on Flickr.

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Secado

Secado, oil on canvas, 60 x 46 cm, 2010

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Some Indian experiences

Upon arriving in the train toilet the rattling of train tracks became suspiciously louder. Gazing down the chute I soon noticed the rapidly moving train tracks completely open and only two feet below. What an ingeniously simple system of waste disposal! The smell along railway lines must be horrendous.

People squatting down in the middle of a busy road to relieve themselves, getting up and continuing their day’s shopping.

A painted saddhu (wandering holy man) who looks like he has just returned from 15 years of isolation in the Himalayas sitting under a tree in his orange robes reading the morning paper.

Another orange saddhu relaxing at a restaurant whilst smoking a joint and having a lively conversation on his mobile phone.

Where in prime time TV in Australia we have luxury car adverts in India one sees adverts for light switches, taps, electric shock protection and UPS (uninterruped power supplies). After experiencing the constant blackouts, dodgy hotel circuitry and leaking taps I understand why.

People foregoing the need for a power socket and shoving two wires straight into the power point instead.

A standard Indian restaurant menu consisting of no less than six cultures’ food. Who would think that the same Indian kitchen could cook Italian, French, Greek, Mexican, Chinese, Tibetan and Nepalese food? It is all surprisingly good though!

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Hello from India

I have now been in India for a bit over a week. The travel over and the first week was pretty horrendous. My flight was delayed in Sydney for about 6 hours. Then I had to wait about 12 hours in Mumbai for a new connecting flight to Delhi. When I finally arrived in Delhi at about midday it must have been over 48 hours travelling with little sleep.

And oh what a shock on arrival. The heat was so intense, about 42 degrees celcius with 80%+ humidity. My taxi dropped me off somewhere which was apparently ‘near’ my hotel but I had no idea where it was. Stuck in this dirty street which seemed to be in the middle of nowhere, masses of people started approaching me saying “Hello Sir, come this way”. “Do you need hotel?”, “Where can I take you?”, “Let me show you the way”. I tried to ignore most of them but asked a couple of questions, “Where is the train station?” (to get my bearings). They proceeded to tell me it was ‘this way’ and started to lead me down weird back alleys. Everyone just tried to take advantage of you, it was so intense.

Finally I managed to get to my hotel after so many troubles. A pretty dingy hotel but at least I had air conditioning and could finally sleep. The first few days were pretty nice – I saw some nice parks, temples, tombs and met a Swami that a friend knows in Delhi.

Then the dreaded Delhi belly struck. I think it must have been from some water that I stupidly drank at a rather nice Hare Krishna restaurant. The next four days were horrific. I have never spent so much time on a toilet that is for sure! And the fever, body aches, head aches, nausea. I couldn’t eat and basically stayed in my dirty, lightless and smelly hotel room for about 4 days. Not a nice experience!

I finally managed to leave Delhi a couple days ago and am now in Rishikesh in the foothills of the Himalayas on the Ganges River. I am staying in an ashram which has river frontage and beautiful gardens. Every night there is aarti (prayers and chanting) on the riverbank with about 1000 people, all chanting and dipping themselves in the Holy Ganges River. There is a massive 15 foot stature of Shiva meditating perched on a platform above the river. The sun sets in the hills behind him throughout aarti.

And India, what a culture shock. So so so many people. And the noise. Every driver uses their horn at least twice every five seconds. And lanes are rather arbitrary. A three lane road is in fact fits about six lanes of vehicles. And really, you can drive on the other side of the road when ever the need arises. Just drive straight at the oncoming traffic and wait for them to give way. But it all seems to move in such a chaotic, but ultimately ‘ordered’ fashion. Although everyone is hooting at each other constantly they never seem angry, quite happily chatting to each other at the lights (only moments after slamming on the horn for five seconds straight). One auto-rickshaw said that the way we drive in Australia was so BORING. Well, a trip in a taxi becomes like a ride in an entertainment park in India. Rather fun when you don’t have to be in control yourself! I sure wouldn’t want to drive myself though.

Now cows. One cannot walk for more than 10 metres without running into a cow. Bulls, calves, cows, buffalo, every kind of cow imaginable. And major highways are of no concern to the cows. You can be driving along a four lane highway and there in the middle of the road sits a cow, with the traffic courteously weaving around it. Cows walk down malls, across arching bridges high above the river. No one pays them the slightest attention, except perhaps to give them a light pat on the head.

It also seems that I will soon be featuring in hundreds of family photo albums throughout India. Everyday at least 20 people say hello to me, ask me where I am from, tell me how good Australia is at cricket, then proceed to ask me to pose in a photo for them. I shake their hands, and off they go. They are all so friendly!

I leave on Sunday for a 10 day trek in the Himalayas (we trek up to about 5000 metres high apparently). I am so glad that my sickness is passing and I am slowly feeling normal again and ready for the trek.

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Travels

I am leaving Australia this Sunday for travels around the world. I will be spending 5 weeks in India including a trek through the Himalayas. Then I’m off to Europe for another 5 weeks, followed by 6 months or so in the US. I plan to update this blog with updates of my travels including photos taken along the way.

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Radiant Illusion

Radiant Illusion

Radiant Illusion, oil on canvas, 152 x 86 cm

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Nature’s fiery collission

A photograph taken in Chile when an electrical storm collided with an erupting volcano:

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